Dialogue is the fastest way to improve a manuscript—or to sink it. When agents, editors or readers see crisp, tension-filled dialogue, they gain confidence in the writer’s ability. But dialogue that is sodden and undistinguished has the opposite effect.

Fortunately, the fixes are simple. First, make sure you can “hear” every character in a distinct voice. A great way to do this is to create a voice journal: a free-form document written in a character’s voice, talking to you, the author, on a variety of topics. Develop these documents until each character sounds unique, and then apply what you’ve learned to your manuscript. Second, compress your dialogue as much as possible, cutting fluffy words, whole lines or even entire exchanges.

Sources

By Ray Calabrese

I am an optimistic, can do, and never quit guy. The spirit of hope indelibly marks my DNA. My research at The Ohio State University helped people discover the best in themselves and change their personal lives, public organizations, and whole communities. I bring the same spirit and enthusiasm to my blog to help those who grieve who find themselves suddenly alone, navigate their grieving. Join my more than 24,300Twitter (@alwaysgoodstuff). I promise my tweets are always good stuff. Please feel free to email me at ray.brese@gmail.com.

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